Falcon Bitch and Gumball are best friends. The Texas-based multi-instrumentalists love to make up elaborate tales of their first meeting: as chimney sweeps in the mid-1700s, as shoemakers in Middle England, as competing acrobats in a traveling circus. It’s a testament to their ever-playful attitude—one that pours over into their project, Being Dead, in which the band toes the line between jest and sincerity. The nurturing foundation of these platonic soulmates urges both Falcon Bitch and Gumball to be their full, freaky selves, prodding at the absurdity of the world with slick n’ dreamy strums, gritty percussion, and kaleidoscopic harmonies.
New album When Horses Would Run propels us into vivid landscapes: desert planes, dirty basements, lush rolling hills. Being Dead is here to create worlds, grabbing our hand and hauling us outside of ourselves, where we can soak in stories of carefree shoplifters, wayward cowboys, and the final moments of a lonely Buffalo on the range. The album doesn’t linger in one place for too long––instead, it dances alongside the periphery, flickering between Super-8 memories and moments. “Our music is really a slice of our friendship,” says Falcon Bitch. “We've lived together and we're always together and I feel like it's a palpable thing.”
Being Dead’s previous releases garnered acclaim for their ability to mimic the band’s renowned live shows. Merging surf rock, freak pop, and frantic punk, Falcon Bitch and Gumball’s eclectic influences and energetic pull swells on When Horses Would Run, charting the band’s progression within Austin’s iconic music scene. They began writing what would eventually become the album back in 2017. Falcon Bitch likens it to a kind of collage of Being Dead so far. “This is definitely a collection of songs from different versions of ourselves,” she says.